Research Article

GOTHIC SPACE AND FEMALE OPPRESSION: ANGELA CARTER’S “THE LADY OF THE HOUSE OF LOVE “AS A CASE IN POINT

ABSTRACT

In her short story “The lady of the House of Love”, Angela Carter experiments with feminist postmodern gothic literature and foregrounds the importance of space and time in imprisoning the female body. The writer contrasts the space and time within the constraints of the vampire’s palace with those of the cyclist’s external free world. The vampire symbolizes the submissive female who is ensnared by the ghostly presence of her patriarchal ancestors within the confines of the patriarchal chivalric space and time. Carter’s feminist postmodern storytelling aims to defy the patriarchal spatial and temporal frames by providing the lady of the house of love with a possibility of survival beyond the time and space of her ancestral gothic palace. During the daylight, the vampire sleeps, whereas at night, she awakes to chase her human masculine preys with whom she makes love before killing and eating them. Within the limits of patriarchal setting, the vampire’s role is limited to sexuality and denied any human emotions until the arrival of the new man who succeeds to stir her emotions and revives her human instincts. The dreary atmosphere of the castle with its gothic architecture have not hindered the new man, together with the vampire, from challenging and deconstructing the traditional patriarchal order. The roles space and time play in achieving female liberty are significant. The vampire’s death within her ancestral castle promotes her survival outside it, in another space and time, where she blooms after severing with the patriarchal spatial and temporal setting.

Keywords

Feminist postmodernism Gothicism deconstruction patriarchy space and time vampirism