<?xml version="1.0" encoding="utf-8"?>
<article>
  <title>FROM ILLNESS TO META-SELVES IN WILLIAM SHAKESPEARE’S HAMLET AND KING LEAR: NEW IDENTITIES IN THE TIME OF DISEASE</title>
  <slug>from-illness-to-meta-selves-in-william-shakespeare-s-hamlet-and-king-lear-new-identities-in-the-time-of-disease</slug>
  <parent>
    <title>Volume 3, Issue 2</title>
  </parent>
  <post_type>
    <title>Research Article</title>
  </post_type>
  <year>2022</year>
  <volume>3</volume>
  <content><![CDATA[<p>The article investigates pictures of disease and corruption in Hamlet and King Lear and their role in<br>changing identities and creating the concept of the meta-self. Images of rottenness, contagion, ulcers,<br>surgery, diseased bodies, and sickness are displayed and discussed. The research traces three interrelated<br>trajectories. First, it proves that illness and diseases were a major preoccupation in England during the Early<br>Modern period. Second, it demonstrates that diseases could be considered a source of inspiration by<br>playwrights like William Shakespeare. Hamlet and King Lear are depicted as plays teeming with images<br>of contagion, decay, and an unhealthy atmosphere. Third, it examines the link between sickness and the<br>transformation of the main characters in the time of disease. The metamorphosis of the characters follows<br>what Baudrillard calls “hyperreality” or the “traversing” self. The research has corroborated the pertinence<br>of the concept of “the meta-self” as a manifestation of “the transmigratory nature of the text” while dealing<br>with the protagonists of both plays. The meta-self is part of personal identity since self and identity are<br>interrelated concepts. The meta-self is a self that goes beyond challenging social and ethical standards; it<br>shuns dogmatic overconfident beliefs about life and functions as a traversing mind that constantly<br>reassesses the certitudes of humans. The meta-selves become like re-narrated self-narratives. Once told,<br>they help the protagonists reconstruct their identities amid chaos, disease, and pandemics. The article draws<br>a guiding thread tracing the undercurrent dynamic between characters, on the one hand, and disease, on the<br>other. The meta-self is multifaceted; it is not only about mental or psychological growth but also the creation<br>of a new theatrical self. In the transformation process, characters represent theatrical entities and acquire<br>theatrical identities.</p>]]></content>
  <references />
  <keywords>Diseases and illness, King Lear, Hamlet, meta-self, self and identity, trans migratory nature of the text, Shakespeare, Baudrillard</keywords>
  <date>2022-12-29</date>
  <url>https://ijep.ibupress.com/articles/from-illness-to-meta-selves-in-william-shakespeare-s-hamlet-and-king-lear-new-identities-in-the-time-of-disease</url>
  <issue>2</issue>
  <pages>56-75</pages>
  <language>en</language>
  <license>CC BY-NC-ND 4.0</license>
  <license_url>https://creativecommons.org/licenses/by-nc-nd/4.0/</license_url>
  <pdf>https://ijep.ibupress.com/file/855/58-pdf.pdf</pdf>
  <authors>
    <author>
      <first_name>Zeid Ben</first_name>
      <last_name></last_name>
      <affiliation>University of Sousse</affiliation>
      <corresponding>true</corresponding>
    </author>
  </authors>
  <journal>
    <title>International Journal of Education and Philology</title>
    <issn>2671-3535</issn>
    <eissn>2671-3543</eissn>
    <publisher>Balkan University Press</publisher>
    <url>https://ijep.ibupress.com</url>
  </journal>
</article>