<?xml version="1.0" encoding="utf-8"?>
<article>
  <title>DIVERSE VOICES FOR DIVERSE EXPERIENCES: WHAT CAN POST-BELLUM, PRE-HARLEM WRITERS TEACH SECONDARY STUDENTS?</title>
  <slug>diverse-voices-for-diverse-experiences-what-can-post-bellum-pre-harlem-writers-teach-secondary-students</slug>
  <parent>
    <title>Volume 2, Issue 2</title>
  </parent>
  <post_type>
    <title>Research Article</title>
  </post_type>
  <year>2021</year>
  <volume>2</volume>
  <content><![CDATA[<p>Ngũgĩ wa Thiong’o remarked almost forty years ago that “[l]anguage carries culture, and culture<br>carries, particularly through orature and literature, the entire body of values by which we come to<br>perceive ourselves and our place in the world [...] at their entire relationship to nature and to<br>other beings” (1986 [1992], 16). Although his comment originated in post-colonial literary<br>thought within an East African linguistic context, these words retain increasing significance<br>today and are more broadly applicable to any sociologically-informed literary discussions in the<br>American classroom. To this end, the literature of the Post-Bellum, Pre-Harlem (cf. Chesnutt<br>1931, inter alia) offers a window into the complex sociocultural, historical, and political context<br>of the United States in the late eighteenth and early twentieth centuries, which had previously<br>been defined as the Black Nadir. Accordingly, this paper presents the results of a four-week<br>instructional unit, which took place in a tenth-grade English classroom at a semi-suburban high<br>school in north-central New Jersey, that required students to read and engage critically with<br>James Weldon Johnson&#39;s (1912 [1927]) The Autobiography of an Ex-Colored Man. Most<br>importantly, the present study advocates a departure from ‘interpretation by free association’<br>(Reader Response Theory) and, instead, proposes a more nuanced understanding of the United<br>States at the fin de si&#232;cle through student-driven questioning of and conversations about the<br>sociological, cultural, historical, linguistic, and literary dimensions of such works.</p>]]></content>
  <references />
  <keywords>African American literature, literary theory, discourse analysis, secondary school, pedagogy</keywords>
  <date>2021-12-29</date>
  <url>https://ijep.ibupress.com/articles/diverse-voices-for-diverse-experiences-what-can-post-bellum-pre-harlem-writers-teach-secondary-students</url>
  <issue>2</issue>
  <pages>55-76</pages>
  <language>en</language>
  <license>CC BY-NC-ND 4.0</license>
  <license_url>https://creativecommons.org/licenses/by-nc-nd/4.0/</license_url>
  <pdf>https://ijep.ibupress.com/file/878/35-pdf.pdf</pdf>
  <authors>
    <author>
      <first_name>Troy E.</first_name>
      <last_name>Spier</last_name>
      <affiliation>Florida A&amp;M University</affiliation>
      <corresponding>true</corresponding>
    </author>
  </authors>
  <journal>
    <title>International Journal of Education and Philology</title>
    <issn>2671-3535</issn>
    <eissn>2671-3543</eissn>
    <publisher>Balkan University Press</publisher>
    <url>https://ijep.ibupress.com</url>
  </journal>
</article>