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<article>
  <title>DEPICTING THE BALKANS IN TRAVEL WRITING: PAST AND PRESENT PERSPECTIVES</title>
  <slug>depicting-the-balkans-in-travel-writing-past-and-present-perspectives</slug>
  <parent>
    <title>Volume 3, Issue 2</title>
  </parent>
  <post_type>
    <title>Research Article</title>
  </post_type>
  <year>2022</year>
  <volume>3</volume>
  <content><![CDATA[<p>This paper analyzes the representation of the Balkans in travel writing through two perspectives. The<br>first one looks at the colonial discourse and gaze of the earlier 19th century travelogues. The second<br>looks into contemporary travelogues to see if they moved away from the colonial/orientalist logic of the<br>superior, Western, enlightened traveler who observes the passive, inferior cultures and places. To do this,<br>the paper analyzes several earlier, mainly 19th and early 20th century travelogues about the Balkans<br>predominantly written by women. It then compares them with contemporary travel works, the main<br>focus being placed on the writings of Chris Deliso. His travelogues of Macedonia (since February 2019<br>referred to as the Republic of North Macedonia after a long name dispute with Greece), abandon the<br>pretentious, colonial and orientalist approach of earlier travel literature and instead show enthusiasm to<br>engage with local narratives and histories. In that sense, the paper argues that the contemporary travel<br>accounts part with the colonial logic of a superior traveler who observes the wild, undeveloped places<br>and people, very characteristic of the earlier travel literature. Yet, at certain times they also fall in the<br>same trap of siding with one culture or ethnic group while stereotyping others. Secondly, this paper<br>questions the concept of ‘women’s travel writing’ as naive and politically disengaged, and shows that<br>both men’s and women’s travelogues are prone to bias and partiality depending on the geopolitical<br>agenda that the traveler favors or represents. As such, they have and still continue to play an important<br>role in creating and perpetuating particular images about the places they write about, in this case, the<br>Balkans.</p>]]></content>
  <references />
  <keywords>colonialist, identity, Balkans, contemporary travelogue, global politics, women travellers</keywords>
  <date>2022-12-29</date>
  <url>https://ijep.ibupress.com/articles/depicting-the-balkans-in-travel-writing-past-and-present-perspectives</url>
  <issue>2</issue>
  <pages>47-55</pages>
  <language>en</language>
  <license>CC BY-NC-ND 4.0</license>
  <license_url>https://creativecommons.org/licenses/by-nc-nd/4.0/</license_url>
  <pdf>https://ijep.ibupress.com/file/856/57-pdf.pdf</pdf>
  <authors>
    <author>
      <first_name>Maja</first_name>
      <last_name>Muhić</last_name>
      <affiliation>South East European University</affiliation>
      <corresponding>true</corresponding>
    </author>
  </authors>
  <journal>
    <title>International Journal of Education and Philology</title>
    <issn>2671-3535</issn>
    <eissn>2671-3543</eissn>
    <publisher>Balkan University Press</publisher>
    <url>https://ijep.ibupress.com</url>
  </journal>
</article>